First page of a fourpager I did. Unpublished. Coloured on the computer,

An enthused little guy.

2005, I think.

Did this drawing/collage in November 2000 at Fichtre!, the comic shop I worked at that year.

Detriment or Advantage ?

I couldn't draw the same drawing over and over and over again even if I knew, without a shadow of a doubt, that doing so was the key to a 'success' involving steady work and decent pay.
Any artist that I perceive as enjoying that kind of success seems to do just that, draw the same drawing over and over and over again.
Any thoughts on the subject?

The Dead Words

Sometimes a drawing just somehow stands out as important to me.
This is such a one.

to EHEL with love

This one is acetate and paper cutouts between 3 sheets of glass. 2003.

This is a bookmark I drew for the esteemed S.W.Welch booksshop.
It's a brain in a turtleneck emerging from a book not a phallus emerging from an ass, ok?

A four colour xerox print. edition of 20. 1996.
They must have loved serving me at the copy shop back then.

This is one of a series of multi-coloured xerox prints I did around ten years ago.
This one was an edition of 21.

this elated floater filled me with his very stuff when i first saw him.
looking at him now he appears a tad smug.

typical of the glyph/sex veggie world i was exploring in the early-mid nineties.

cover illo for premiere issue of fishpiss, zine of louis rastelli. montreal 1996.

created using same method as grrrbunny.
done as cd cover for fakir lego (2001?),
music group of sébastien trahan of
mécanique générale

grrrbunny
collage created with xeroxed phone doodles. original around 18 x 24. exists as blueprint ed. of 50

in lieu of an essay i drew/collaged this for a zine that unfortunately never happened.
there is no original per se as this was created by drawing, collage and many photocopy degenerations.
'slow down the serious, speed up the chops' , a sentiment born from my annoyance at lazy-art.

cover illo for wired on words spoken word cd, millenium cabaret